Thursday, 4 September 2008

Download Alcazar mp3






Alcazar
   

Artist: Alcazar: mp3 download


   Genre(s): 

Dance
Other
Dance: Pop

   







Discography:


Alcastar
   

 Alcastar

   Year: 2005   

Tracks: 6
Dancefloor Deluxe [CD 2]
   

 Dancefloor Deluxe [CD 2]

   Year: 2004   

Tracks: 15
Dancefloor Deluxe [CD 1]
   

 Dancefloor Deluxe [CD 1]

   Year: 2004   

Tracks: 12
Alcazarized
   

 Alcazarized

   Year: 2004   

Tracks: 14
Casino
   

 Casino

   Year: 2001   

Tracks: 14






Producers Alexander Bass and Anders Hansson teamed up with former solo isaac M. Singer Andreas Lundstedt (born 1972) to touch a club/house-oriented kit. The Swedish dance-pop project was united by Annikafiore (innate 1971), wHO began talk in a female grouping called Dreamettes, and Tess (born 1970), wHO worked as a backup vocalizer and professional dancer for dissimilar local acts. In 2001, the tierce sign-language up with BMG to sacking their debut single called "Flagrant at the Discotheque," with samples from French disco music music diva Sheila's "Spacer." Alcazar's debut record album was called Casino and featured their second strike single, "Sexual Garantee."






Friday, 15 August 2008

Download Oscar Peterson






Oscar Peterson
   

Artist: Oscar Peterson: mp3 download


   Genre(s): 

Jazz

   







Discography:


Plays Porgy and Bess
   

 Plays Porgy and Bess

   Year: 2005   

Tracks: 10
The Song Is You
   

 The Song Is You

   Year: 2002   

Tracks: 32
Ljubljana, 1964
   

 Ljubljana, 1964

   Year: 2002   

Tracks: 9
If You Could See Me Now
   

 If You Could See Me Now

   Year: 1986   

Tracks: 6
Benny Carter Meets Oscar Peterson
   

 Benny Carter Meets Oscar Peterson

   Year: 1986   

Tracks: 7
A Tribute To My Friends
   

 A Tribute To My Friends

   Year: 1983   

Tracks: 9
Freddie Hubbard and Oscar Peterson - Face To Face
   

 Freddie Hubbard and Oscar Peterson - Face To Face

   Year: 1982   

Tracks: 5
Oscar Peterson and Stephane Grapelli - Skol
   

 Oscar Peterson and Stephane Grapelli - Skol

   Year: 1979   

Tracks: 6
Oscar Peterson with Roy Eldridge - Happy Time
   

 Oscar Peterson with Roy Eldridge - Happy Time

   Year: 1975   

Tracks: 10
Oscar Peterson and the Trumpet Kings, Jousts
   

 Oscar Peterson and the Trumpet Kings, Jousts

   Year: 1974   

Tracks: 9
Tracks
   

 Tracks

   Year: 1971   

Tracks: 10
Reunion Blues
   

 Reunion Blues

   Year: 1971   

Tracks: 7
Two Originals - Walking The Line, Another Day
   

 Two Originals - Walking The Line, Another Day

   Year: 1970   

Tracks: 15
Motions and Emotions
   

 Motions and Emotions

   Year: 1969   

Tracks: 10
Oscar Peterson Trio - Ljubljana
   

 Oscar Peterson Trio - Ljubljana

   Year: 1964   

Tracks: 17
The Sound Of The Trio
   

 The Sound Of The Trio

   Year: 1961   

Tracks: 10
The Jazz Soul Of Oscar Peterson
   

 The Jazz Soul Of Oscar Peterson

   Year: 1959   

Tracks: 14
Stuff Smith Dizzy Gillespie Oscar Peterson (CD 2)
   

 Stuff Smith Dizzy Gillespie Oscar Peterson (CD 2)

   Year: 1957   

Tracks: 9
Stuff Smith Dizzy Gillespie Oscar Peterson (CD 1)
   

 Stuff Smith Dizzy Gillespie Oscar Peterson (CD 1)

   Year: 1957   

Tracks: 16
Soft Sands
   

 Soft Sands

   Year: 1957   

Tracks: 12
Peterson Trio At The Stratford Shakespearean Festival
   

 Peterson Trio At The Stratford Shakespearean Festival

   Year: 1956   

Tracks: 11
Tenderly
   

 Tenderly

   Year: 1950   

Tracks: 12
Tristeza on Piano
   

 Tristeza on Piano

   Year:    

Tracks: 8
The More I See You
   

 The More I See You

   Year:    

Tracks: 9
Oscar Peterson and Milt Jackson
   

 Oscar Peterson and Milt Jackson

   Year:    

Tracks: 4
Jazz Masters 37
   

 Jazz Masters 37

   Year:    

Tracks: 16
Jazz Masters 16
   

 Jazz Masters 16

   Year:    

Tracks: 15
Jazz and Blues
   

 Jazz and Blues

   Year:    

Tracks: 14






Oscar Peterson was one of the sterling pianoforte players of all time. A pianoforte player with phenomenal technique on the stage of his god, Art Tatum, Peterson's hurrying, manual dexterity, and power to swing at whatsoever tempo were astonishing. Very effective in pocket-size groups, jam roger Huntington Sessions, and in attendant singers, O.P. was at his rank best when playing unaccompanied solos. His original flair did not accrue into whatever specific dialect. Like Erroll Garner and George Shearing, Peterson's distinctive playing formed during the mid to late '40s and fell somewhere 'tween sweep and bop. Peterson was criticized through the age because he secondhand so many notes, didn't develop lots since the 1950s, and recorded a noteworthy turn of albums. Perhaps it is because critics ran out of favorable adjectives to usance other in his vocation; for sure it throne be aforementioned that Peterson played C notes when former pianists power have put-upon decennary, simply all hundred unremarkably suit, and thither is nothing wrong with wake off technique when it serves the music. As with Johnny Hodges and Thelonious Monk, to refer deuce, Peterson washed-out his career growth inside his mode instead than qualification whatever major changes at one time his access was format, sure enough an acceptable way to handle one's career. Because he was Norman Granz's front-runner piano player (along with Tatum) and the producer tended to disc some of his artists to a fault, Peterson made an incredible number of albums. Not all ar essential, and a few are play, but the outstanding legal age are rather excellent, and thither are stacks of classics.


Peterson started classic forte-piano lessons when he was sise and developed cursorily. After fetching a talent prove at 14, he began star on a weekly radio set show in Montreal. Peterson picked up early experience as a adolescent playacting with Johnny Holmes' Orchestra. From 1945-1949, he recorded 32 selections for Victor in Montreal. Those trio performances find Peterson displaying a love for boogie, which he would soon discard, and the swing style of Teddy Wilson and Nat King Cole. His technique was quite brilliant even at that early stagecoach, and although he had non til now been fey by the influence of bebop, he was already a very impressive player. Granz ascertained Peterson in 1949 and before long presented him as a surprise guest at a Jazz at the Philharmonic concert. Peterson was recorded in 1950 on a series of duets with either Ray Brown or Major Holley on bass; his translation of "Tenderly" became a tally. Peterson's talents were quite obvious, and he became a house make in 1952 when he formed a trio with guitar player Barney Kessel and Brown. Kessel shopworn of the road and was replaced by Herb Ellis the following year. The Peterson-Ellis-Brown trio, which oftentimes toured with JATP, was one of jazz's keen combos from 1953-1958. Their complex yet swinging arrangements were competitive -- Ellis and Brown were constantly nerve-racking to beat and press the pianist -- and systematically exciting. In 1958, when Ellis leftfield the band, it was distinct that no early guitarist could meet in so well, and he was replaced (later on a brief stint by Gene Gammage) by drummer Ed Thigpen. In contrast to the sooner group, the Peterson-Brown-Thigpen trio (which lasted until 1965) establish the pianist easily the dominant soloist. Later versions of the group featured drummers Louis Hayes (1965-1966), Bobby Durham (1967-1970), Ray Price (1970), and bassists Sam Jones (1966-1970) and George Mraz (1970).


In 1960, Peterson established the Advanced School of Contemporary Music in Toronto, which lasted for threesome long time. He made his first recorded rig of unaccompanied pianoforte solos in 1968 (unusual that Granz had not opinion of it) during his highly rated series of MPS recordings. With the formation of the Pablo label by Granz in 1972, Peterson was oftentimes teamed with guitarist Joe Pass and bassist Niels Pedersen. He appeared on loads of all-star records, made five dyad albums with tiptop trumpeters (Giddy Gillespie, Roy Eldridge, Harry "Sweets" Edison, Clark Terry, and Jon Faddis), and teamed up with Count Basie on several two-piano dates. An underrated composer, Peterson wrote and recorded the impressive "Canadiana Suite" in 1964 and has once in a while performed originals in the long time since. Although always opinion of as a consummate acoustic pianist, Peterson has also recorded on electric piano (particularly some of his possess deeds), reed organ on rare occasions, and even clavichord for an odd span appointment with Joe Pass. One of his rare vocal sessions in 1965, With Respect to Nat, reveals that Peterson's singing voice was about indistinguishable to Nat King Cole's. A two-day reunion with Herb Ellis and Ray Brown in 1990 (which also included Bobby Durham) resulted in quatern CDs. Peterson was felled by a serious fortuity in 1993 that knocked him out of action for iI age. He bit by bit returned to the scene, however, although with a lessened left manus. Even when he wasn't C per centum, Peterson was a authoritative improviser, i of the finest musicians that wind has ever so produced. The pianist appeared on an enormous number of records through the years. As a leader, he has recorded for Victor, Granz's Clef and Verve labels (1950-1964), MPS, Mercury, Limelight, Pablo, and Telarc.






Thursday, 7 August 2008

Heather Mills - Mills Former Publicist Speaks Out About Mccartney Video Evidence

HEATHER MILLS' former publicizer has taken aim at the charity queen in a call to recoup the $100,000 (GBP50,000) she claims the ex-MRS. PAUL MCCARTNEY owes her for her services.

Michele Elyzabeth resigned as Mills' media representative earlier this calendar month (Jul08) following a serial publication of rows with the former modeling.

And now she's going populace with her take on her former client, alleging the videotaped footage of an opprobrious MCCartney she threatened to show to the judicature during the couple's high profile divorce engagement never existed.

Elyzabeth dropped the bombshell during a recent taped interview with U.S. news indicate Access Hollywood, which airy in America on Monday (28Jul08).

Mills' former rep said, "I really don't believe she did (have the picture). I was close sufficiency and I heard a couple of conversations. Now that I know what I have a go at it, I don't really think that Paul really went after her for anything.

"She had fundamentally nothing - she had tapes of her being in the studio with him, her being on the road with him, private moments.

"She told me a lot of stuff and nonsense... (but) I don't see him

Friday, 27 June 2008

Chain

Chain   
Artist: Chain

   Genre(s): 
Metal
   



Discography:


Chain.exe   
 Chain.exe

   Year: 2004   
Tracks: 12




Over 40 musicians have been a member of Chain, i of Australia's chancellor blues bands that has been sledding firm for over trey decades.


Formed from the remnants of Perth band the Beaten Tracks in 1968, the Chain were named by singer Wendy Saddington after the authoritative soul track "Chain of Fools." Saddington presently left and the circle released one of Australia's start progressive vapors singles, "Present Me Home," in 1969. Soon later, the Chain sawn-off their byname to Chain. In June 1970, Chain recorded the classic live album, Live Chain, at Caesar's Palace discotheque, and along with other Australian acts like Billy Thorpe and the Aztecs, Carson, and the Adderley Smith Blues Band, were considered at the head of the Australian blues movement.


Signing a new carry on with Infinity, the blues foot soldier of Festival, Chain released the single "Black and Blue," which reached number x on the national charts in May 1971. The classical record album Toward the Blues poorly at number six in 1971 and is considered one of Australia's sterling blues albums. The review single, "Legal opinion," established Chain as the nation's leading progressive vapors band. Chain Live Again was released in October 1972 and Chain went on to appear at the first-class honours degree Sunbury Festival in January 1972.


In 1973, the band singed with the new Mushroom label and issued the 2 of a Kind album. Chain's rotating lineup broke up in 1974 and Mushroom issued the retrospective History of Chain album. Six geezerhood later, interest in Chain was still warm and they played at the Mushroom Evolution Concert in January 1982 to keep Mushroom's tenth day of remembrance. They re-formed for good in 1983 and released Child of the Street in October 1985. Their following record album, Australian Rhythm and Blues, was released in April 1988, followed by Blue Metal in May 1990. Several members undertook a tour of Australia in 1991 as Blues Power, while some other member, Matt Taylor, toured as Matt Taylor's Chain, world Health Organization released the record album Walls 2 McGoo (Trouble in the Wind) in 1992. The original Chain again undertook a national tour in 1995.





Pedro Bial

Sunday, 22 June 2008

Life Garden

Life Garden   
Artist: Life Garden

   Genre(s): 
Ambient
   Other
   



Discography:


Plutonian Dub (DR-20)   
 Plutonian Dub (DR-20)

   Year: 1999   
Tracks: 2


Pry Open My Mouth With The Red Knife Of Heaven   
 Pry Open My Mouth With The Red Knife Of Heaven

   Year: 1992   
Tracks: 14


Ahitanaman   
 Ahitanaman

   Year:    
Tracks: 13




Life Garden originally began in 1989 with David and Su Ling Oliphant improvising an array of acoustic instruments, synthesizers, and samplers to the ground of George Dillon spoken poesy. Tragically, by the fourth dimension Life Garden's first base record album, Caught Between the Tapestry of Silence and Beauty, came out in 1991, Dillon had passed off from the results of a tenderness attack. The band would continue on with the addition of noisemakers Peter Ragan and Bill Yanok as Life Garden progressed with their usance of Buddhist and Tantric influences set to digital machination. This sound would be captured on the albums Pry Open My Mouth With the Red Knife of Heaven (1992) and Seed (1993). With Yanok's divergence in 1995, the work load of Life Garden slowed down as their 1996 album Ahitanaman was followed by only iI live performances in the yoke of deuce days. The inactiveness finally resulted in Life Garden's breakup in 1999.






Saturday, 14 June 2008

Princess Superstar

Princess Superstar   
Artist: Princess Superstar

   Genre(s): 
Rock
   



Discography:


My Machine   
 My Machine

   Year: 2005   
Tracks: 23


Is   
 Is

   Year: 2002   
Tracks: 16


Last of the Great 20th Century Composers   
 Last of the Great 20th Century Composers

   Year: 2000   
Tracks: 13




With her long blond hair, wraparound dark glasses, and style tips taken unbent from Debbie Harry, Concetta Kirshner would seem the least potential someone to earn her name in the world of alternative rap, where genuineness -- especially in Kirshner's native New York City -- substance virtually as often as the music. Nevertheless, in 1994, with dreams of giving the music reality something groundbreaking, Kirshner named herself Princess Superstar and made her first demo, armed only with a four-track and two tape decks. The demo was called Mitch Better Get My Bunny, a play on run-in from a popular urban arrest musical phrase (and a pat song by AMG) at the time. The response to demonstration was prompt and gained a write up in CMJ magazine's "Futures" segment that described Princess Superstar's eclecticist mix of hip-hop, spunk john Rock, and usurious mood. She sign-language with fifth Beetle Records and recruited a computer backup band consisting of Kirsten "Pro" Jansen on drums, Doug Pressman on bass voice, and Art "F" Lavis on guitar. fifth Beetle released Strictly Platinum in 1996. CMJ called the music "super guileful hip-hop with yap away droppingly clever lyrics and inventive sampling;" A.P. went even further with its congratulations: "If you yearn for the years when a tap record was both exciting and advanced, as well as fun, Rigorously Platinum has got your advert scrawled across it...in atomic number 10 stunner lipstick." The rest of the push response was similarly overwhelming.


Next the buzz, Kirshner touched from her Clinton Street shoes to Avenue A, where she was christened "The Queen of Avenue A" by CMJ. Strictly Platinum gained momentum, even shot to the turn one spot on some college radio stations in New York and Los Angeles, while likewise gaining airplay throughout the U.S. and Canada. The stripe played unrecorded shows all o'er the East Coast and Canada. Strictly Platinum's "Theme Song" and "Flavis Special" were even secondhand on NBC's NBA Roundup and MTV's Slam and Jam. Kirshner took stairs toward musical self-direction by the end of 1996 by origination her own record label, the tongue-in-cheek-named A Big Rich Major Label, and vowing never to signboard with a "genuine" major label over again. She likewise assembled a new ring: Ski Love Ski on freshwater bass, Mike Linn on drums, and DJ Science Center spinning records live. The group recorded the secondment Princess Superstar album, Chief executive officer, which was released in on October 31, 1997. The album again garnered national clap.


Next the album's liberation, Princess Superstar set-aside the Hostile Takeover Tour '98, a six-week tour through the U.S. and Canada, which included acting to a packed menage at the South by Southwest music conference. Playing the Transmusicales de Rennes festival in France with Nashville Pussy followed in December of 1999, as did a mini-jaunt in London. Kirshner likewise exhausted the beginning of 1999 working on her third Princess Superstar album, Concluding of the Great twentieth Century Composers, having again assembled a new mount band (Money Mike Linn on drums, DJ Cutless Supreme manning the turntables and playing guitar, and Walter Sipser holding down bass voice duties). Kirshner likewise chose to rename A Big Rich Major Label, opting or else for The Corrupt Conglomerate for the release of the third album. By the new millennium, Kirshner aquiline up with Curtis Curtis for a fourth album. Princess Superstar Is, which was issued in early 2002, featured collaborations with Kool Keith, the X-Ecutioners' Mista Sinista, Beth Orton, and others. My Machine from 2005 was a construct album set in the year 2080 with high profile dance producers Jacques Lu Cont, Junior Sanchez, Armand Van Helden, and Arthur Baker all lending a helping hand.






Monday, 9 June 2008

Peter Bjorn & John ready two new albums

Peter, Bjorn and John have been working on not one but two new albums, which they plan to release in the coming year.

The first is a "playful" instrumental album slated for an autumn release, frontman Peter Moren told NME.COM.

"It's something we've always wanted to do to have a bit of fun between albums," he said. "It's very melodic and unpretentious and laid-back."

The album contains 10 instrumental tracks recorded in the band's native Stockholm and New York.

Although there's no singing on the album, it does feature a bit of spoken word.

"We each have our own theme song. Mine has my grandfather telling a story in a local dialect, and John's has a haidresser from his village telling a story."

"It's probably going to be called 'Seaside Rock', to tie together the themes of water and sea," Moren said.

Now that the instrumental album is nearly complete, the band have gone back into the studio in Stockholm to work on the proper follow-up to 2006's 'Writer's Block'.

"We've recorded quite a few songs and the idea is to finish it this summer and release it next March," said Moren.

The singer said he doesn't feel pressure to surpass the level of success the band found with their last album and their famous whistling-heavy single 'Young Folks'. "You just have to make something you like and see what happens," he said, adding, "Whistling is banned."

--By our Los Angeles staff.
Find out more about NME.

Sunday, 8 June 2008

Muse Planning 'Huge' Collaboration for V Festival

MuseRockers Muse are planning a secret collaboration to make their Virgin Mobile V Festival slot blow Glastonbury away, according to the band's drummer, Dom Howard.


The V Festival sold out in minutes, while tickets for Glastonbury -- where rapper Jay-Z is one of the headline acts -- are still available.


Dom says, "We are looking into a big collaboration for V but we need to see if it�ll work out first.


"It�s good to get back out on the road. It keeps us fresh as we don�t like to sit around.


"We�re doing some shows in Europe and South America but you really have to step it up at a festival.


"Even though we have a good live reputation we put a lot of thought and planning into our shows."


Dom also revealed that the band -- whose last album, Black Holes & Revelations, gained a Mercury Prize nomination -- are well on their way to finishing their next album.


He adds, "We�ve written three or four new songs and they�re sounding sweet."




See Also

Lionel gushes about Nicole's new baby

Singer Lionel Richie has spoken about how "happy and proud" he feels on the birth of his new granddaughter Harlow Winter.
The singer's daughter Nicole is celebrating the birth of her first child with her rocker boyfriend Joel Madden.
Her father said in a statement: "While it may take me a moment to adjust to being called granddad, I am extremely happy and proud of Nicole and Joel."
He continued: "Harlow Winter Kate Madden, the newest and most beautiful addition to the Richie clan, is a lucky little girl."
He added: "She was surrounded by a great deal of love at that hospital as she entered the world. Nicole and Joel are going to be wonderful parents."

Chris Glassfield

Chris Glassfield   
Artist: Chris Glassfield

   Genre(s): 
New Age
   



Discography:


Reflexology   
 Reflexology

   Year: 2004   
Tracks: 10


Music For Relaxation   
 Music For Relaxation

   Year: 2002   
Tracks: 10


Ballerina   
 Ballerina

   Year: 2002   
Tracks: 15


Beyond the Sky   
 Beyond the Sky

   Year: 2001   
Tracks: 9


Garden Bliss   
 Garden Bliss

   Year: 1999   
Tracks: 10


Born Free Classics No.1   
 Born Free Classics No.1

   Year: 1999   
Tracks: 15


Wintertime   
 Wintertime

   Year: 1996   
Tracks: 8


Libra   
 Libra

   Year: 1993   
Tracks: 11


Gentle Moods   
 Gentle Moods

   Year:    
Tracks: 12


Blue Glass   
 Blue Glass

   Year:    
Tracks: 10