Download Alcazar mp3

Artist: Alcazar: mp3 download    Genre(s):  Dance Other Dance: Pop     Discography:      Alcastar    Year: 2005    Tracks: 6      Dancefloor Deluxe [CD 2]    Year: 2004    Tracks: 15      Dancefloor Deluxe [CD 1]    Year: 2004    Tracks: 12      Alcazarized    Year: 2004    Tracks: 14      Casino    Year: 2001    Tracks: 14 Producers Alexander Bass and Anders Hansson teamed up with former solo isaac M. Singer Andreas Lundstedt (born 1972) to touch a club/house-oriented kit. The Swedish dance-pop project was united by Annikafiore (innate 1971), wHO began talk in a female grouping called Dreamettes, and Tess (born 1970), wHO worked as a backup vocalizer and professional dancer for dissimilar local acts. In 2001, the tierce sign-language up with BMG to sacking their debut single called "Flagrant at the Discotheque," with samples from French disco music music diva Sheila's "Spacer." Alcazar's debut record album was called Casino and featured their second strike single, "Sexual Garantee."

Download Oscar Peterson

Artist: Oscar Peterson: mp3 download    Genre(s):  Jazz     Discography:      Plays Porgy and Bess    Year: 2005    Tracks: 10      The Song Is You    Year: 2002    Tracks: 32      Ljubljana, 1964    Year: 2002    Tracks: 9      If You Could See Me Now    Year: 1986    Tracks: 6      Benny Carter Meets Oscar Peterson    Year: 1986    Tracks: 7      A Tribute To My Friends    Year: 1983    Tracks: 9      Freddie Hubbard and Oscar Peterson - Face To Face    Year: 1982    Tracks: 5      Oscar Peterson and Stephane Grapelli - Skol    Year: 1979    Tracks: 6      Oscar Peterson with Roy Eldridge - Happy Time    Year: 1975    Tracks: 10      Oscar Peterson and the Trumpet Kings, Jousts    Year: 1974    Tracks: 9      Tracks    Year: 1971    Tracks: 10      Reunion Blues    Year: 1971    Tracks: 7      Two Originals - Walking The Line, Another Day    Year: 1970    Tracks: 15      Motions and Emotions    Year: 1969    Tracks: 10      Oscar Peterson Trio - Ljubljana    Year: 1964    Tracks: 17      The Sound Of The Trio    Year: 1961    Tracks: 10      The Jazz Soul Of Oscar Peterson    Year: 1959    Tracks: 14      Stuff Smith Dizzy Gillespie Oscar Peterson (CD 2)    Year: 1957    Tracks: 9      Stuff Smith Dizzy Gillespie Oscar Peterson (CD 1)    Year: 1957    Tracks: 16      Soft Sands    Year: 1957    Tracks: 12      Peterson Trio At The Stratford Shakespearean Festival    Year: 1956    Tracks: 11      Tenderly    Year: 1950    Tracks: 12      Tristeza on Piano    Year:     Tracks: 8      The More I See You    Year:     Tracks: 9      Oscar Peterson and Milt Jackson    Year:     Tracks: 4      Jazz Masters 37    Year:     Tracks: 16      Jazz Masters 16    Year:     Tracks: 15      Jazz and Blues    Year:     Tracks: 14 Oscar Peterson was one of the sterling pianoforte players of all time. A pianoforte player with phenomenal technique on the stage of his god, Art Tatum, Peterson's hurrying, manual dexterity, and power to swing at whatsoever tempo were astonishing. Very effective in pocket-size groups, jam roger Huntington Sessions, and in attendant singers, O.P. was at his rank best when playing unaccompanied solos. His original flair did not accrue into whatever specific dialect. Like Erroll Garner and George Shearing, Peterson's distinctive playing formed during the mid to late '40s and fell somewhere 'tween sweep and bop. Peterson was criticized through the age because he secondhand so many notes, didn't develop lots since the 1950s, and recorded a noteworthy turn of albums. Perhaps it is because critics ran out of favorable adjectives to usance other in his vocation; for sure it throne be aforementioned that Peterson played C notes when former pianists power have put-upon decennary, simply all hundred unremarkably suit, and thither is nothing wrong with wake off technique when it serves the music. As with Johnny Hodges and Thelonious Monk, to refer deuce, Peterson washed-out his career growth inside his mode instead than qualification whatever major changes at one time his access was format, sure enough an acceptable way to handle one's career. Because he was Norman Granz's front-runner piano player (along with Tatum) and the producer tended to disc some of his artists to a fault, Peterson made an incredible number of albums. Not all ar essential, and a few are play, but the outstanding legal age are rather excellent, and thither are stacks of classics. Peterson started classic forte-piano lessons when he was sise and developed cursorily. After fetching a talent prove at 14, he began star on a weekly radio set show in Montreal. Peterson picked up early experience as a adolescent playacting with Johnny Holmes' Orchestra. From 1945-1949, he recorded 32 selections for Victor in Montreal. Those trio performances find Peterson displaying a love for boogie, which he would soon discard, and the swing style of Teddy Wilson and Nat King Cole. His technique was quite brilliant even at that early stagecoach, and although he had non til now been fey by the influence of bebop, he was already a very impressive player. Granz ascertained Peterson in 1949 and before long presented him as a surprise guest at a Jazz at the Philharmonic concert. Peterson was recorded in 1950 on a series of duets with either Ray Brown or Major Holley on bass; his translation of "Tenderly" became a tally. Peterson's talents were quite obvious, and he became a house make in 1952 when he formed a trio with guitar player Barney Kessel and Brown. Kessel shopworn of the road and was replaced by Herb Ellis the following year. The Peterson-Ellis-Brown trio, which oftentimes toured with JATP, was one of jazz's keen combos from 1953-1958. Their complex yet swinging arrangements were competitive -- Ellis and Brown were constantly nerve-racking to beat and press the pianist -- and systematically exciting. In 1958, when Ellis leftfield the band, it was distinct that no early guitarist could meet in so well, and he was replaced (later on a brief stint by Gene Gammage) by drummer Ed Thigpen. In contrast to the sooner group, the Peterson-Brown-Thigpen trio (which lasted until 1965) establish the pianist easily the dominant soloist. Later versions of the group featured drummers Louis Hayes (1965-1966), Bobby Durham (1967-1970), Ray Price (1970), and bassists Sam Jones (1966-1970) and George Mraz (1970). In 1960, Peterson established the Advanced School of Contemporary Music in Toronto, which lasted for threesome long time. He made his first recorded rig of unaccompanied pianoforte solos in 1968 (unusual that Granz had not opinion of it) during his highly rated series of MPS recordings. With the formation of the Pablo label by Granz in 1972, Peterson was oftentimes teamed with guitarist Joe Pass and bassist Niels Pedersen. He appeared on loads of all-star records, made five dyad albums with tiptop trumpeters (Giddy Gillespie, Roy Eldridge, Harry "Sweets" Edison, Clark Terry, and Jon Faddis), and teamed up with Count Basie on several two-piano dates. An underrated composer, Peterson wrote and recorded the impressive "Canadiana Suite" in 1964 and has once in a while performed originals in the long time since. Although always opinion of as a consummate acoustic pianist, Peterson has also recorded on electric piano (particularly some of his possess deeds), reed organ on rare occasions, and even clavichord for an odd span appointment with Joe Pass. One of his rare vocal sessions in 1965, With Respect to Nat, reveals that Peterson's singing voice was about indistinguishable to Nat King Cole's. A two-day reunion with Herb Ellis and Ray Brown in 1990 (which also included Bobby Durham) resulted in quatern CDs. Peterson was felled by a serious fortuity in 1993 that knocked him out of action for iI age. He bit by bit returned to the scene, however, although with a lessened left manus. Even when he wasn't C per centum, Peterson was a authoritative improviser, i of the finest musicians that wind has ever so produced. The pianist appeared on an enormous number of records through the years. As a leader, he has recorded for Victor, Granz's Clef and Verve labels (1950-1964), MPS, Mercury, Limelight, Pablo, and Telarc.

Heather Mills - Mills Former Publicist Speaks Out About Mccartney Video Evidence

HEATHER MILLS' former publicizer has taken aim at the charity queen in a call to recoup the $100,000 (GBP50,000) she claims the ex-MRS. PAUL MCCARTNEY owes her for her services.

Michele Elyzabeth resigned as Mills' media representative earlier this calendar month (Jul08) following a serial publication of rows with the former modeling.

And now she's going populace with her take on her former client, alleging the videotaped footage of an opprobrious MCCartney she threatened to show to the judicature during the couple's high profile divorce engagement never existed.

Elyzabeth dropped the bombshell during a recent taped interview with U.S. news indicate Access Hollywood, which airy in America on Monday (28Jul08).

Mills' former rep said, "I really don't believe she did (have the picture). I was close sufficiency and I heard a couple of conversations. Now that I know what I have a go at it, I don't really think that Paul really went after her for anything.

"She had fundamentally nothing - she had tapes of her being in the studio with him, her being on the road with him, private moments.

"She told me a lot of stuff and nonsense... (but) I don't see him

Chain

   
Artist: Chain

   Genre(s): 
Metal
   

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Discography:


   
 Chain.exe

   Year: 2004   
Tracks: 12

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Over 40 musicians have been a member of Chain, i of Australia's chancellor blues bands that has been sledding firm for over trey decades.


Formed from the remnants of Perth band the Beaten Tracks in 1968, the Chain were named by singer Wendy Saddington after the authoritative soul track "Chain of Fools." Saddington presently left and the circle released one of Australia's start progressive vapors singles, "Present Me Home," in 1969. Soon later, the Chain sawn-off their byname to Chain. In June 1970, Chain recorded the classic live album, Live Chain, at Caesar's Palace discotheque, and along with other Australian acts like Billy Thorpe and the Aztecs, Carson, and the Adderley Smith Blues Band, were considered at the head of the Australian blues movement.


Signing a new carry on with Infinity, the blues foot soldier of Festival, Chain released the single "Black and Blue," which reached number x on the national charts in May 1971. The classical record album Toward the Blues poorly at number six in 1971 and is considered one of Australia's sterling blues albums. The review single, "Legal opinion," established Chain as the nation's leading progressive vapors band. Chain Live Again was released in October 1972 and Chain went on to appear at the first-class honours degree Sunbury Festival in January 1972.


In 1973, the band singed with the new Mushroom label and issued the 2 of a Kind album. Chain's rotating lineup broke up in 1974 and Mushroom issued the retrospective History of Chain album. Six geezerhood later, interest in Chain was still warm and they played at the Mushroom Evolution Concert in January 1982 to keep Mushroom's tenth day of remembrance. They re-formed for good in 1983 and released Child of the Street in October 1985. Their following record album, Australian Rhythm and Blues, was released in April 1988, followed by Blue Metal in May 1990. Several members undertook a tour of Australia in 1991 as Blues Power, while some other member, Matt Taylor, toured as Matt Taylor's Chain, world Health Organization released the record album Walls 2 McGoo (Trouble in the Wind) in 1992. The original Chain again undertook a national tour in 1995.





Pedro Bial

Life Garden

   
Artist: Life Garden

   Genre(s): 
Ambient
   Other
   

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Discography:


   
 Plutonian Dub (DR-20)

   Year: 1999   
Tracks: 2


   
 Pry Open My Mouth With The Red Knife Of Heaven

   Year: 1992   
Tracks: 14


   
 Ahitanaman

   Year:    
Tracks: 13

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Life Garden originally began in 1989 with David and Su Ling Oliphant improvising an array of acoustic instruments, synthesizers, and samplers to the ground of George Dillon spoken poesy. Tragically, by the fourth dimension Life Garden's first base record album, Caught Between the Tapestry of Silence and Beauty, came out in 1991, Dillon had passed off from the results of a tenderness attack. The band would continue on with the addition of noisemakers Peter Ragan and Bill Yanok as Life Garden progressed with their usance of Buddhist and Tantric influences set to digital machination. This sound would be captured on the albums Pry Open My Mouth With the Red Knife of Heaven (1992) and Seed (1993). With Yanok's divergence in 1995, the work load of Life Garden slowed down as their 1996 album Ahitanaman was followed by only iI live performances in the yoke of deuce days. The inactiveness finally resulted in Life Garden's breakup in 1999.

Princess Superstar

   
Artist: Princess Superstar

   Genre(s): 
Rock
   

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Discography:


   
 My Machine

   Year: 2005   
Tracks: 23


   
 Is

   Year: 2002   
Tracks: 16


   
 Last of the Great 20th Century Composers

   Year: 2000   
Tracks: 13

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With her long blond hair, wraparound dark glasses, and style tips taken unbent from Debbie Harry, Concetta Kirshner would seem the least potential someone to earn her name in the world of alternative rap, where genuineness -- especially in Kirshner's native New York City -- substance virtually as often as the music. Nevertheless, in 1994, with dreams of giving the music reality something groundbreaking, Kirshner named herself Princess Superstar and made her first demo, armed only with a four-track and two tape decks. The demo was called Mitch Better Get My Bunny, a play on run-in from a popular urban arrest musical phrase (and a pat song by AMG) at the time. The response to demonstration was prompt and gained a write up in CMJ magazine's "Futures" segment that described Princess Superstar's eclecticist mix of hip-hop, spunk john Rock, and usurious mood. She sign-language with fifth Beetle Records and recruited a computer backup band consisting of Kirsten "Pro" Jansen on drums, Doug Pressman on bass voice, and Art "F" Lavis on guitar. fifth Beetle released Strictly Platinum in 1996. CMJ called the music "super guileful hip-hop with yap away droppingly clever lyrics and inventive sampling;" A.P. went even further with its congratulations: "If you yearn for the years when a tap record was both exciting and advanced, as well as fun, Rigorously Platinum has got your advert scrawled across it...in atomic number 10 stunner lipstick." The rest of the push response was similarly overwhelming.


Next the buzz, Kirshner touched from her Clinton Street shoes to Avenue A, where she was christened "The Queen of Avenue A" by CMJ. Strictly Platinum gained momentum, even shot to the turn one spot on some college radio stations in New York and Los Angeles, while likewise gaining airplay throughout the U.S. and Canada. The stripe played unrecorded shows all o'er the East Coast and Canada. Strictly Platinum's "Theme Song" and "Flavis Special" were even secondhand on NBC's NBA Roundup and MTV's Slam and Jam. Kirshner took stairs toward musical self-direction by the end of 1996 by origination her own record label, the tongue-in-cheek-named A Big Rich Major Label, and vowing never to signboard with a "genuine" major label over again. She likewise assembled a new ring: Ski Love Ski on freshwater bass, Mike Linn on drums, and DJ Science Center spinning records live. The group recorded the secondment Princess Superstar album, Chief executive officer, which was released in on October 31, 1997. The album again garnered national clap.


Next the album's liberation, Princess Superstar set-aside the Hostile Takeover Tour '98, a six-week tour through the U.S. and Canada, which included acting to a packed menage at the South by Southwest music conference. Playing the Transmusicales de Rennes festival in France with Nashville Pussy followed in December of 1999, as did a mini-jaunt in London. Kirshner likewise exhausted the beginning of 1999 working on her third Princess Superstar album, Concluding of the Great twentieth Century Composers, having again assembled a new mount band (Money Mike Linn on drums, DJ Cutless Supreme manning the turntables and playing guitar, and Walter Sipser holding down bass voice duties). Kirshner likewise chose to rename A Big Rich Major Label, opting or else for The Corrupt Conglomerate for the release of the third album. By the new millennium, Kirshner aquiline up with Curtis Curtis for a fourth album. Princess Superstar Is, which was issued in early 2002, featured collaborations with Kool Keith, the X-Ecutioners' Mista Sinista, Beth Orton, and others. My Machine from 2005 was a construct album set in the year 2080 with high profile dance producers Jacques Lu Cont, Junior Sanchez, Armand Van Helden, and Arthur Baker all lending a helping hand.

Peter Bjorn & John ready two new albums

Peter, Bjorn and John have been working on not one but two new albums, which they plan to release in the coming year.

The first is a "playful" instrumental album slated for an autumn release, frontman Peter Moren told NME.COM.

"It's something we've always wanted to do to have a bit of fun between albums," he said. "It's very melodic and unpretentious and laid-back."

The album contains 10 instrumental tracks recorded in the band's native Stockholm and New York.

Although there's no singing on the album, it does feature a bit of spoken word.

"We each have our own theme song. Mine has my grandfather telling a story in a local dialect, and John's has a haidresser from his village telling a story."

"It's probably going to be called 'Seaside Rock', to tie together the themes of water and sea," Moren said.

Now that the instrumental album is nearly complete, the band have gone back into the studio in Stockholm to work on the proper follow-up to 2006's 'Writer's Block'.

"We've recorded quite a few songs and the idea is to finish it this summer and release it next March," said Moren.

The singer said he doesn't feel pressure to surpass the level of success the band found with their last album and their famous whistling-heavy single 'Young Folks'. "You just have to make something you like and see what happens," he said, adding, "Whistling is banned."

--By our Los Angeles staff.
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